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My two latest photography e book user’s guides are both the Number One and Two “Hot New Releases” in the Amazon Kindle – Photography Equipment and Photography Reference bestseller list! Learn more about the Kindle versions of the e books on Amazon, or the PDF versions on my Full Stop website. Information about the Barnes and Noble Nook and Apple iPad versions is also available at Full Stop.
(For more information on the Canon 7D Mk II, see these posts HERE!)
The Canon EOS 7D became available around September/ October 2009, and was quite well received at the time. Its sophisticated autofocus system, improved exposure metering system, blazing fast continuous shooting speed, and great low-light-performing 18 megapixel sensor placed it in a new class of pro-sumer Canon dSLRs, between the then-current 50D and below the professional 5D Mk II. Despite the fact that the 7D has been around for about one and a half years, it has stood the test of time well, and is still an amazing, high quality camera that can serve the various demands a number of different types of photographers incredibly well.
I wrote a popular post which compares the current consumer line-up of Canon dSLR cameras, Canon T3i vs 60D vs T2i vs 7D, etc. which includes extensive discussion of the 7D and information to help you decide if it is the right camera for you, as well as a field test user review of the 7D after I first got it and took it on assignment to Guatemala. But I’d like to spotlight it again today.
What makes the Canon 7D so great? What type of photographer may want or even need it? And why might you even choose on over the professional, full-frame 5D Mk II?
8 frames per second continuous shooting speed – This is a blazingly fast shooting speed. Not quite as fast as the 10 fps of the high end 1D cameras, but more than enough for most shooters’ needs. This fast frame rate is ideal for sports shooters, those shooting wildlife and birds, and even those shooting models or portraits where facial expressions and body positions change in a split second. It should not be used for “spray and pray,” where one takes a bunch of photos and then hopes one comes out great. The reason is that the files from the 7D are huge, and in just a few seconds with the shutter button held down one can take dozens of images – images that one has to transfer, go through, decide between, discard, archive, etc. It is an incredible investment of time and storage space to deal with an unnecessary overload of images from the 7D. This fast continuous shooting is a distinct advantage of the 7D over the 5D Mk II, which shoots 3.9 fps. The 7D also offers a lower 3 fps rate.
63 zone exposure metering system – The exposure metering system of the 7D was a significant improvement over that of the 50D and 5D Mk II. This better metering system can determine the proper exposure far more precisely and in more challenging situations that the older cameras. Of course now even the 60D and T3i boast this 63 zone system. What this improvement means is that one no longer necessarily has to turn to Spot metering or Partial metering for difficult lighting situations or critical exposures. While that makes it easier to use the camera and removes a bit of photographic skill necessary, I can’t knock it because it is so much more convenient and eliminates potential errors of leaving the camera on the wrong setting when moving on to a different situation. One may still wish to switch over to the more precise metering modes in a back-lit or high-contrast situation, but you may discover that many times you won’t need to.
19 point autofocus system – The 7D introduced a new, more sophisticated 19 point AF system than that of the 50D and 5D Mk II, and most photographers can’t wait until it is incorporated into the highly anticipated 5D Mk III. All 19 points of the AF system are the precise cross-type sensors, unlike the Nikon D7000 with only 9 cross-type sensors. One thing this means to a shooter is less need for locking focus and recomposing. One can manually select an AF point exactly where you want to focus, then shoot off a couple photos without having to lock focus (back-button focus) or recompose between shots. (You should be manually selecting your AF point, area, or zone so that the camera autofocuses where you want, you know, of course?! Don’t let the camera decide where it wants to autofocus except in extreme action situations.) In action situations, this highly sophisticated and customizable AF system can be used to track objects moving across the field of view, and/ or at increasing or decreasing distances from the camera. This is ideal for sports and action shooters plus wildlife and bird photographers. If you are using this AF system, please study it and learn it carefully in order to take full advantage of it. You will need to go into the Custom Functions menus and decide how you want the camera to deal with moving subjects and respond to objects that come between you and your subject, plus how quickly you want the camera to respond to these “interfering” objects. You will also want to activate and learn the additional focus modes including Zone, Expansion, and Spot, which dictate how many AF points are active. I go into a bit more detail about the AF system and its options in the 7D field test post. This is another area where the 7D outshines the 5D Mk II. The AF system in the 5D is older, less sophisticated, and struggles in low light. However, the 21 MP full-frame sensor of the 5D Mk II still exceeds the capabilities of the 7D, especially in low light.
Brief Commercial Interruption! I have completed an e-book user’s guide to the 7D called Canon 7D Experience. This guide covers all the features, settings, and controls – but more importantly when and why to use them in your photography. This includes metering modes, aperture and shutter priority modes (Av and Tv), advanced autofocus use, and more. They also describe all the Menu settings and Custom Function settings – with recommended settings. Take control of your camera and the images you create! Learn more about Canon 7D Experience here or by clicking on the cover below:
body, design, and layout – The body of the 7D is similar to the older 50D and the 5D Mk II. It is large, study, and well designed. It feels great with a large lens attached, and has its buttons and controls in all the right places. It provides the exposure lock and focus lock buttons for the right thumb, has the large rear wheel for quickly scrolling through settings or images, has a large brightness-controllable rear LCD screen (auto brightness works great), includes the top LCD panel for shooting setting information, and has a large, bright, nearly 100% view penta-prism viewfinder which is a pleasure to use. It also adds a button for setting the AF modes and a Live View/ Video button. The LP-E6 rechargeable battery – the same one as in the 5D Mk II – lasts though a full day of shooting and more. The full magnesium body of the Canon 7D – shown here on the right – is rugged enough for most any situation. The body is also weather sealed against dust and moisture at its buttons and compartment doors. All of these specifications mean that the 7D is a joy to use in the field. It feels great in one hands, its controls are placed for quick, intuitive adjustments, and it can sustain heavy use and abuse in all kinds of conditions.
other features – The 7D was the first Canon dSLR to incorporate wireless remote flash triggering capabilities. It also includes AF microadjustment to adjust for optimal sharpness with each of your individual lenses. And of course, it has full HD video with all the frame rate options. Professional videographers are using and loving this camera for its video capabilities.
So what’s not to love with this camera? If you feel that your photography requires the advanced capabilities of the Canon 7D, be sure to have a closer look at it. To view some images, all of my photos in the Guatemala gallery on my website here were shot with the Canon 7D.
Purchasing the 7D: If you plan to buy the Canon 7D through Amazon.com, I would appreciate it if you use this referral link to Amazon or the camera/ lens links just below. Your price will be the same, and they will give me a little something for referring you, which will help support my blog. Thanks! If you are purchasing from Amazon UK or wish to purchase from B+H Photo, please see just below for that info. Thanks, I appreciate your support!
View and purchase the 7D on Amazon
Pair it up with:
the high quality Canon 18-200mm f/3.5-5.6 lens
the higher quality Canon 24-105mm f/4L lens
or the highest quality Canon 70-200mm f/2.8L II lens.
Look more into the Canon 5D Mk II
If you are in the UK, you can click here for the UK Amazon referral link.
For those interested in purchasing through B&H Photo, just click here to go to B&H Photo
The new Nikon D5100 was just announced today, replacing the D5000. It sits just above the D3100 in the Nikon consumer dSLR lineup, and a bit below the D90 and D7000, both sturdier and more sophisticated cameras. The D5100 boasts a 16 megapixel sensor (like the D7000), and a swivel screen more like the Canon T3i and 60D, attached at the left side, rather than the less convenient bottom swivel of the previous D5000. (see my post comparing several of the latest Canon dSLR cameras here, and one comparing the Nikons here.)
The D5100 shoots 4 frames per second, faster than the 3 fps of the D3100, and of course has 1080p HD video. The D5100 now has in-camera processing filters like those of the 60D and T3i (including miniature, high or low key, and selective color in the Nikon). And it has the 11 point AF system, with one cross type sensor, like the D3100.
To compare the Nikon D5100 vs. the Canon Rebel T3i:
(click the camera names to view them on Amazon):
Canon Rebel T3i / EOS 600D
18 megapixels
Articulating rear LCD screen
1080p HD video with all the frame rate options
9 point autofocus system with 1 cross-type sensor
3.7 frames per second continuous shooting
In-camera image processing filters plus RAW to JPEG, cropping, and other options
Some scene modes
ISO range 100-6400
95% viewfinder with .85 magnification
1.26 lbs with battery
Wireless flash triggering
Nikon D5100
16 megapixels
Articulating rear LCD screen
1080p HD video with all the frame rate options
11 point autofocus system with 1 cross-type sensor
4 frames per second continuous shooting
In-camera image processing filters
A lot of scene modes
ISO range 100-6400
95% viewfinder with .78 magnification
1.2 lbs with battery
Also an auto HDR feature where the camera combines 2 images to create an image with extended tonal range.
As you can see, both cameras are incredibly similar as far as specifications. It looks as if the price may even be the same. A deciding factor may be which camera feels more comfortable in your hands, which controls and menus seem better placed and easier to navigate, and which system you want to invest in. A look at the image quality here seems to show that the Canon’s JPEG images straight out of the camera are sharper, have more clarity, and more color “punch.”
If you decide on either of these cameras, please be sure to check out my e-books Canon T3i Experience and Nikon D5100 Experience, and learn to use your dSLR quickly and competently!
Now that you’ve decided on the Canon Rebel T3i / EOS 600D, you’ll want to get the basic, essential accessories. Don’t get carried away yet with elaborate flash modifiers and color balance correction tools before you gain some experience and determine which advanced accessories you will really need and use. But you can’t go wrong with these initial 10 additions to your camera bag. Click on the links or the images to view and purchase them on Amazon.com (and help support my blog by doing so – thanks!)
1. SanDisk Extreme 8GB Memory Card – You are going to need a high quality, high speed memory card to save all those images and capture those videos. Go with the best and don’t risk corruption and errors – a SanDisk Extreme. Perhaps a couple 8GB cards or a 16GB card.
2. Canon LP-E8 Battery – You will probably want a spare battery, especially if you are traveling, or just for those times you forgot to charge the battery before going to an important event. Go with the official Canon brand and avoid battery communication and charging issues.
3. Canon T3i Experience E Book – You will want to go beyond Auto and learn to use the advanced functions and settings of your sophisticated camera, so be sure to check out my e book, Canon T3i Experience. It will help you to take control of your camera so that you can consistently take better images – the images you wish to capture. You’ve invested the money in an advanced camera, now invest the time to learn how to use it to its full potential! Kindle edition also available here, B&N Nook edition here, Sony Reader edition available soon, and iPad & iPhone edition now available through the iBooks app.
4. Black Rapid RS7 Strap – This sling-style camera strap provides a more comfortable and practical – and somewhat more discreet – way to carry around your camera, especially if you have a larger lens on it.
5. Giottos Large Rocket Blower – Blow the dust off your lens, camera body, interior, and sensor safely with the Rocket Blower. Get the large size for maximum “whoosh!”
6. LensPEN Lens Cleaning System – Clean those fingerprints, smudges, and mysterious spots off your camera lens (filter) safely and quickly with the LensPEN. Brush off the loose spots with the brush end, charge the tip, then clean by “drawing” in a circular motion. Read the manufacturer’s instruction for complete details.
7. Canon 430EX II Speedlite Flash – Upgrade to the Canon Speedlite Flash to obtain more flash power and control for your low light pictures. Take advantage of the T3i’s wireless remote flash capabilities. Rotate and bounce your flash for more flattering indirect light, diffuse it and scatter it for less harsh shadows. Consider the Canon 580EX II Speedlite for more advanced needs.
7a. Stofen Omni Bounce Diffuser – Diffuse and scatter the light from your Speedlite flash with the Omni Bounce Diffuser to eliminate harsh shadows. Use it with your flash head at a 45 degree angle up, or to the side or behind you, as it is designed to be used. Don’t aim it straight on, and don’t use it outside. I don’t care if you see others doing that, even if they have a 5D and a big lens – they don’t know that all they are doing is wasting flash power and not affecting the results.
8. B+W Brand UV Filter – Protect your lens from scratches, dust, and impact damage with a high-quality, multi-coated B+W brand UV filter. It won’t affect your image quality due to its high quality glass and coatings, and it just may save you from a $200 repair. Leave one on each of your lenses at all times, unless you are using another filter like the circular polarizer. Be sure to get the right size filter for your lens.
8a. B+W Brand Circular Polarizer Filter – Use this high-quality, multi-coated filter to dramatically darken skies, increase contrast, and cut through reflections. Turn the rotating lens to adjust the amount of darkening or reflection.
9. Canon EF-S 18-200mm f/3.5-5.6 IS Lens – After you’ve realized the limitations of the kit lens in both quality and focal range, pair your T3i with this high quality all-purpose “walk-around” lens, great for everyday and travel use. It provides the full focal range from wide angle to telephoto, and delivers excellent image quality, color, and contrast, as well as Image Stabilization to prevent blur from camera movement.
9a. EW 78D Lens Hood – And you will want the lens hood for the 18-200mm lens, to shade the lens from unwanted glare and flare and protect it from bumps and bangs.
10. Understanding Exposure by Bryan Peterson – If you don’t yet understand the relationship between aperture, shutter speed, and ISO, read this book immediately. This knowledge is essential to understanding and using your powerful dSLR to its full potential.
For additional photography gear, accessories, and books, be sure to check out my dSLR Photography Gear, Accessories, and Books post!
Canon has released updated firmware for the Canon 60D, version 1.0.9. According to Canon, this update:
- Changes the name of the feature called “Art Filters” to “Creative Filters” (which is used in markets other than Japan) in the Japanese version to make the terms consistent. (This change only applies to the Japanese version and does not apply to other language versions.)
- Fixes a phenomenon where the camera may operate abnormally when it is set to Quick Mode AF during Live View shooting immediately after capturing an image with the C.Fn II-1 Long exposure noise reduction setting set to [2: On] and a shutter speed setting of 5 seconds or more.
- Fixes a phenomenon where the camera may operate abnormally when after Live View shooting, the remote switch on the EOS Utility screen is pressed to immediately start movie-shooting. This phenomenon only occurs when the camera is connected to a compatible personal computer and the Remote Live View function of EOS Utility software is being used.
Head over to the Canon website to download and install the new firmware.
In some of my posts, such as the one about the Best Lenses for Travel and Humanitarian Photography, I venture to suggest a good single lens for travel. My recommendations have typically been the Canon 18-200mm f/3.5-5.6 or the more expensive Canon 24-105 f/4L. Both offer a useful focal length range for travel, image stabilization, and excellent image quality (relative to their price, of course – the professional L lens is of much higher quality). The 24-104mm also boasts the fast and quiet USM focusing motor.
One lens that I have previously failed to mention is the unique Canon 70-300mm f/4.5-5.6 DO IS USM lens. Its broad focal length range, image stabilization, and USM focusing motor with full-time manual focus* are all appealing features. (*you can over-ride or tweak the autofocus with a twist of the focus ring without switching to MF.) But what makes it a potentially great travel companion is its size and appearance. Due to its use of Diffractive Optics (the DO in its name) the lens is relatively small and light. And in addition, its exterior is black rather than the white of the L lenses. Thus it becomes a much more portable and much less obtrusive lens than the big, white 70-200mm and 70-300mm L lenses.
The unique green band of the Canon 70-33mm DO lens
The 70-300mm DO declares its uniqueness with a green band around the front of the barrel, where the red band of the L lenses sits. Diffractive Optics is a technology developed by Canon to reduce lens size while maintaining image quality and eliminating chromatic aberrations, and currently only two Canon lenses use DO. This lens has been around since 2004, and has overall received excellent reviews. For a professional photographer it will never quite replace a 70-200mm or 70-300mm L lens due to its slightly lower image quality and sharpness, and lack of the f/2.8 or f/4 maximum aperture throughout its full range, but for those just a little less demanding it could be the perfect travel companion for photographers not wishing to carry around a larger and more noticeable white lens.
There are mixed reviews on its sharpness. Some users claim it is sharp as can be, some say it loses sharpness at certain focal lengths and apertures, and other say with standard post-process sharpening there is virtually no difference between it and an L lens. One complaint that can’t be denied is its propensity for lens creep. Due to the weight of the lens elements and the fact that it zooms externally (unlike the internal zoom of the 24-105mm or the 70-200mm lenses) the zooming barrel will move on its own when pointed up or down. The lens has a locking switch for storage or for walking around, but otherwise it is going to creep. This DO lens also does not have a rubber weather-sealing ring at its mounting base, which is disappointing for a lens in this price range.
Optically the 70-300mm DO displays a couple unique characteristics as well. At certain apertures a hazy, often described as dreamy, outline will appear around bright out-of-focus areas. And due to the concentric circles of the DO optics (visible in the lens just by looking at the glass at an angle) out-of-focus spots of light also contain concentric circles, or “targets,” as shown in the image below. These rings also appear in areas of flare, so it is best not to use this lens if you are a fan of shooting into the sun to achieve purposeful lens flare.
The interesting bullseye/ target bokeh of the 70-300mm DO lens, pronounced when at narrow apertures (f/16 here) – click image to view larger on Flickr.
The above image is a crop from the one below. Notice that in addition to the concentric circles, the bokeh of bright light spots becomes hexagonal at narrower apertures (like f/10 or f/16) as shown below, but it is nice and circular starting at f/8, without the targets being so pronounced at wider apertures (like f/5.6).
Canon 70-300mm DO lens – hexagonal bokeh with bullseye targets seen at f/16 – click image to view larger on Flickr.
So if you are looking for a high quality lens for travel with an exceptional telephoto zoom range, you may wish to consider the 70-300mm DO. It is not everyone’s ideal single lens for travel because its focal length starts at 70mm and thus lacks the wide angle range, but for those who like to zoom in close and capture faces and details, it could be a lens that stays on your camera much of the time. And even for those who already have a big, white 70-200mm lens, this could come in handy in many situations which you wish to be a little more discreet or even appear less intimidating to your subjects. Go to the store and play with one, and I think you may find that you love the size and feel of this lens, and can envision its great travel potential.
See and purchase the 70-300mm DO lens at Amazon.com
Have a look at some other reviewers’ posts to learn more about this lens, its technical specs, and its performance, as well as see images comparing its size to other lenses:
Review and description with size/ weight comparisons at The-Digital-Picture.com
Review focusing on image quality at Photo.net
Field test and very technical review at Luminous-Landscape.com
I am moving my blog from WordPress to my own website. This post comparing the Canon T3i, T2i, 60D, and 7D can now be read here:
http://blog.dojoklo.com/2011/02/20/canon-t3i-600d-vs-t2i-550d-vs-60d-vs-7d-etc/
Thanks for following me to my new blog home!
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Go beyond the Canon Rebel T3i / EOS 600D manual with my new book, now available!
T3i Experience – The Still Photographer’s Guide to Operation and Image Creation – an eBook user’s guide and tutorial for the Canon Rebel T3i / EOS 600D.
Learn to use your Rebel T3i / EOS 600D, quickly and competently, to create the types of images you want to capture. The T3i / 600D is an advanced tool, and this guide explains how to use it to its full potential. Take control of your camera, the image taking process, and the photos you create.
This instant download Canon T3i / 600D book is for those who wish to get more out of their camera and to go beyond Full Auto and Program modes and shoot in Av mode and Tv mode. To get you started, it includes explanations and recommended settings for all Menu settings, Movie Mode Menu settings, and Custom Function settings of the T3i/600D. It covers basic dSLR camera functions and exposure concepts for those new to digital SLR photography, and explains more advanced camera controls and operation, such as using the various metering modes and exposure compensation for correct exposure of every image, controlling autofocus modes and focus points for sharp focus of still or moving subjects, and utilizing dramatic depth of field for professional looking photographs.
You can preview T3i Experience at the following link. The preview shows the Table of Contents and Introduction, a sample T3i/600D Menu Settings page, a sample Custom Functions Settings page, and a sample text page.
http://www.dojoklo.com/writing/Canon_T3i_Experience-Preview.pdf
Canon T3i Experience not only covers the various settings, functions and controls of this digital SLR, but it also explains when and why to use them for your photography. And it describes every T3i / 600D Menu setting and Custom Function setting, with recommended settings to get you started quickly, including Movie Mode menu settings. Note that it focuses on still-photography and not video except for a brief introduction to video menus and settings to get you up and running. Sections include:
- Setting Up Your Camera – All of the Menu settings and Custom Function settings for the T3i / 600D, including movie mode menus, with brief descriptions and recommended settings for practical, everyday use. Set up and customize the advanced features of this dSLR to work best for the way you photograph.
- Aperture Priority Mode (Av) and Shutter Priority Mode (Tv) – How and when to use them to create dramatic depth of field or to freeze or express motion.
- Auto Focusing Modes and Drive Modes – How they differ, how and when to use them to capture sharp images of both still and moving subjects. Also how and when to use focus lock and back-button focusing.
- Exposure Metering Modes of the Canon T3i / 600D – How they differ, how and when to use them for correct exposures in every situation. Also how to make use of exposure lock.
- Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding and using these features for adjusting to the proper exposure in challenging lighting situations.
- Composition – Brief tips, techniques, and explanations, including the creative use of depth of field.
- The Image Taking Process – A descriptive tutorial for using the settings and controls you just learned to take photos.
- Lenses – Explanation of Canon lenses and choosing your next lens.
- Photography Accessories – The most useful accessories for day-to-day and travel photography including those specific to this camera, plus recommended photography books.
- Introduction to Video Settings – Some basic settings to get you started.
This digital field guide to the Canon Rebel T3i / EOS 600D is a 60 page, illustrated PDF document that builds upon the information found in the Canon Rebel T3i / EOS 600D manual, and will help one begin to master their dSLR and learn to use it to its full capabilities!
Author: Douglas Klostermann
Format: PDF – Instant Download – can be read on your computer and iPad, plus printed on your printer.
Page Count: 60 pages, illustrated
Price: $11.99 – Available Now!
(plus 6.25% sales tax for residents of Massachusetts)
Secure payment with PayPal or Credit card
or 
A Kindle version is available on Amazon.com
Versions for the Nook and iPad are also available from Barnes&Noble and Apple. See here for direct links to these versions.
What Readers are Saying about Doug’s Previous Guide, T2i Experience:
Best Guide to using a T2i - I don’t know how I could fully take advantage of all the features the T2i has to offer without this publication! It’s well-organized, easy to understand, and succinct enough to keep your attention while still containing a wealth of tips and tricks to get the most out of your camera. I’m very happy that I found this guide.
-Nathan K.
Essential Travel Companion – Alas, a comprehensive and concise guide for hobbyists who desire to enhance their photography experiences. I highly recommend this guide to anyone who wants to ease out of auto mode and learn how to take high-quality photos. It brilliantly explains how to apply advanced techniques and tips, walks you through the daunting task of menu settings, and smoothly guides you through the image-taking process. The instructions and brief explanations are easy to follow and well organized. The guide is a portable class on digital photography! A must-have if you want to learn how to use your camera to its fullest advantage.
-Elizabeth J.
A Fantastic Book For Beginning T2i Users – This book has exactly the no frills condensed practical advice on camera settings that I was looking for. The author has a gift for separating the wheat from the chaff. I didn’t have a clue how to operate a digital camera, let alone know the definition of the technical terms. After reading this book, I now understand all the critical functions of the Canon T2i and how to take advantage of them. This is a book I plan to keep handy for years to come.
-TP
What Readers are Saying about Doug’s other dSLR User’s Guides:
This book, together with the manual that came with your camera, is all you need to start discovering all the potential of this camera.
-Max M.
It’s the first guide I’ve read which has taken me through all the settings in an understandable way. I now feel that I have control over the camera.
-Peter S.
I would recommend this to anyone who wants to get a quick start to using their camera. Manuals are nice, but this eBook highlights the important information and gives a quick easy to understand explanation of most all of the functions and controls.
-Ray M.
I found the (camera’s) manual good for understanding how to set things up but not much on the why – this book really focuses on the “why.” Prior to reading the book I was setting up my metering on Spot Metering thinking it was much better than Matrix (Evaluative) – the guide helped me understand why to use specific settings for specific needs. The Custom Settings sections helps to make firm decisions on how to apply settings by understanding the usage of each in addition to knowing how to set them up. I would like to thank you for saving me time – now I’m confident that my camera is well tuned!
-Benoit A.
This manual is a clearly written, concise and useful explanation of the rationale for the seemingly infinite and often confusing settings options. Used in conjunction with the (camera’s) manual I feel a bit more confident in understanding how to at last proceed in getting better photographs.
-WLS
In my e-book user’s guide for digital SLRs (including Your World 60D, Nikon D7000 Experience, and Canon T3i Experience) I include a list of accessories and books, complete with links to purchase these products on Amazon. However, the links don’t always work with some e-book formats, so I am posting the list here too.
Below are some accessories that are handy for general photography use as well as when traveling with your camera, plus some of my favorite photography books, and accessories mentioned in the text of Nikon D7000 Experience, Your World 60D, and Canon T3i Experience that are specific to those cameras. Click on the links to go to the product or category pages on Amazon.com. Please note that these are my Amazon Associates referral links, and I will receive a small referral fee from Amazon.com if you use these links to make your purchases, which helps to support my blog and my work. Thanks!
Sandisk Extreme SD Memory Cards: I suggest getting a couple 16 GB or 8 GB cards to store your photos – more if traveling. Class 10 cards should be used if you are shooting video. Be sure to check the Sandisk site for current rebates.
Giottos Medium Rocket Blower: Always have it handy for getting dust off lenses in a hurry, because blowing on them – no matter how careful – leads to spittle on the lenses. Also use for manually cleaning the sensor as described above.
Lens Pen Cleaning System: Works great for cleaning off mysterious spots and smudges that appear on the lens (this is why I always use UV filters) as well as that a-fore-mentioned spittle. Blow dust off the lens first with the Rocket Blower, brush it with the Lens Pen brush, and then follow the instructions for using the Lens Pen.
UV Filters: Clear, protective filters for the lenses. You should have these on at all times to protect your lenses. Get high quality ones, such as B+W, especially for higher quality lenses. Consider the MRC multi-coated versions for highest quality lenses. While some argue that any filter may degrade image quality, most know that it is cheaper to replace a $100 filter than to repair a $1500 lens. Use the slim filters for wide angle lenses to avoid vignetting.
Circular Polarizing Filter: Use this outdoors in sunlight to darken the sky, cut through haze and reflections, and increase contrast. Do not use on a wide angle lens as it will cause the sky to change from light to dark and back again across the frame. You have to turn the second ring of the filter to create the amount of lightness or darkness in the sky that you desire, or to reduce or eliminate reflections. It works best when the sun is to your left or right, but does not have any polarizing effect if the sun is directly in front or behind you. Do not use an older linear polarizing filter with a digital camera, as it will interfere with the metering and autofocus systems.
Nikon Lens Hoods or Canon Lens Hoods: Use a lens hood on your lens to both prevent flare and to protect the front of the lens when it inevitable bangs against something or drops. Some nicer lenses typically come with a lens hood. With other lenses, buy the corresponding optional hood.
BlackRapid R-Strap: A different, more comfortable way to carry your camera, especially one with a larger or heavier lens. The RS-7 version has a nice curved shoulder strap, the RS-4 is not curved at the shoulder but does have a handy little pocket for memory cards, and the RS-W1 R-Strap is designed for women.
Insurance: Make sure your equipment is covered by insurance. When I worked in a camera store, people came in on a weekly basis to replace the equipment that was stolen from their car, trunk, luggage, while traveling, or was in a fire. You may need special insurance or a rider if your homeowner or renter’s insurance does not cover it. I use the policy available through NANPA, though you have to join NANPA to get it. This insurance is primarily for the equipment only, so you are not paying for liability coverage geared toward a business as you are with many other photo equipment insurance plans. Please note that the NANPA membership fee covers you annually from July – they don’t pro-rate, so you will not get a full year if you join at any other time. (If you happen to join NANPA to get their insurance, mention my name as a referrer, and I save on my next membership renewal!)
Silica Packs: Keep these in your camera bags to absorb moisture. Consider using real ones that you buy in solid cases instead of the little packs that you found in your new pants pocket that may break open over time.
Sto-Fen Omni Bounce Diffuser: Works great on the optional external flash units (note some Nikon flashes come with a diffuser like this). Do not use this on your flash outdoors because all it will do outside is cause your flash to work harder. I know you see lots of people doing it. They didn’t bother reading how to use it. Don’t imitate them. Use a direct bare or gelled flash outdoors. These diffusers are designed to work as a diffuser when bounced off a surface and angled at 45 degrees or so. Not straight on, and not bouncing off the sky.
Digital Grey Card: Used to measure and set accurate custom white balance.
Rosco Strobist Collection Flash Gels: Use these to balance the color temperature of your flash to the color temperature of the ambient light in order to have a single WB setting that neutralizes the color cast of the entire scene. Tape them in place or use the LumiQuest Gel Holder which attaches to your flash with the Honl Speed Strap, an overpriced strip of Velcro.
Eye-Fi Wireless Flash Memory Card: This SD memory card can be used to automatically upload photos wirelessly via Wi-Fi to your computer during shooting or afterwards.
Card Reader: Use this to transfer image files from the memory cards to your computer if your computer does not have a card reader built in. They may be faster than the camera’s USB cable and will save camera batteries.
Camera’s USB Cable: Always have the included camera USB cable when traveling, as a back-up method of transferring image files to your computer.
Lens and Body Caps: Don’t forget to have these in your camera bag, to protect lenses and camera body when switching and storing them.
Camera Wrap: For protecting your camera while carrying it around in dusty, misty, or sandy situations, or for protection when storing it.
Rainhood or Rainsleeve: For protecting your camera while using it in dusty, misty, rainy, or sandy situations.
Remember, strong insect repellants can melt plastics and other materials on the body of your camera.
Adobe Photoshop CS5 and/ or Adobe Lightroom 3: These software programs are essential for editing, processing, retouching, and manipulating your photographs, especially if you are shooting in RAW. Lightroom is designed specifically for photographers and is the processing program of choice for many, but it does not have the manipulation capabilities of Photoshop.
Books
Understanding Exposure: How to Shoot Great Photos with Any Camera by Bryan Peterson
Learning to See Creatively: Design, Color & Composition in Photography by Bryan Peterson
The Photographer’s Eye: Composition and Design for Better Digital Photos by Michael Freeman
The Photographer’s Mind: Creative Thinking for Better Digital Photos by Michael Freeman
Available Light: Photographic Techniques for Using Existing Light Sources by Don Marr
On-Camera Flash Techniques for Digital Wedding and Portrait Photography by Neil van Niekerk
Speedliter’s Handbook: Learning to Craft Light with Canon Speedlites by Syl Arena
Digital Photographer’s Complete Guide to HD Video by Rob Sheppard and Michael Gunchen.
More Essential Digital Photography Books are listed in this post.
Nikon D7000 Accessories
Nikon EN-EL15 Rechargable Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.
Nikon MB-D11 Battery Pack/ Grip: This accessory will enable you to use a second EN-EL15 battery or else use AA batteries, thus allowing you to shoot longer without having to change batteries. It also increases the size of the D7000 body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.
Nikon ML-L3 Wireless Remote or MC-DC2 Remote Release Cord: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.
Nikon SB-900, SB-800, SB-700, or SB-600 Speedlight Flashes: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash, and with the exception of the SB-600 all can be used as commanders to trigger remote flashes.
Nikon WT-4A Wireless Transmitter: This can be used to wirelessly transmit your images to a computer as you shoot. However for certain situations and uses, an Eye-Fi SD memory card may be more convenient.
Nikon Capture NX2: If you are not using Photoshop, this software will enable you to process and retouch your JPEG or RAW files, and correct things such color, contrast, and sharpening.
Canon 60D Accessories
Canon LP-E6 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.
Canon BG-E9 Battery Grip: This accessory will enable you to use two LP-E6 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries. It also increases the size of the 60D body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.
Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.
Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.
Canon Hand Strap E2: This hand strap provides a more secure grip and allows for easier single hand operation of the camera. It attaches on the right side of the 60D and your right hand slips between it and the camera.
Canon EF-D Focusing Screen: This is the grid focusing screen to help you keep your compositions and horizons straight and level.
Canon Rebel T3i / EOS 600D (and Rebel T2i / EOS 550D) Accessories
Canon LP-E8 Battery: It is always good to have an extra battery or two, especially when traveling or when photographing all day or for an event.
Canon BG-E8 Battery Grip: This accessory will enable you to use two LP-E8 batteries, (or else use six AA batteries), thus allowing you to shoot longer without having to change batteries. It also increases the size of the camera’s body which may be more comfortable for some shooters, especially when shooting vertically in portrait orientation.
Canon Remote Switch RS-60E3 or Canon Wireless Remote Control RC-6: These remotes will allow you to trigger the shutter of the camera remotely, thus allowing either self-portraits or the ability to release the shutter without pressing the Shutter Button thus preventing possible camera shake.
Canon Speedlite 580EX II or Speedlite 430EX II or Speedlite 320EX: These external flashes will give you greatly increased flash power and control compared to the built-in flash. They also have adjustable and rotating heads so that you can use indirect and bounce flash. All of them can be used as remote flashes controlled by the built-in flash. The 320EX also has a built in LED light for lighting video.
Canon Hand Strap E2: This hand strap, used with or without the battery grip, provides a more secure grip and allows for easier single hand operation of the camera. It attaches on the right side of the camera and your right hand slips between it and the camera.
Canon just announced the replacement for the T2i called, as expected, the Canon Rebel T3i / EOS 600D. It has a few upgrades from the T2i, borrowed from the 60D, including the high resolution swivel rear LCD screen, remote flash capabilities, some additional menu options, and built in Creative Filters. Canon also introduced a new 18-55mm image stabilized kit lens to pair with it. Read more about it here at DPReview, and I will fill in more details about it soon. As Canon’s own press release dramatically states, Canon Empowers The Masses To Take Better Photographs And Video With The New EOS Rebel T3i And EOS Rebel T3 Digital SLR Cameras. Wow!
I’ve completed a Canon Rebel T3i e-book user’s guide, following in the footsteps of my popular e-books Your World 60D and T2i Experience, titled Canon T3i Experience. See here for more info.
image from Canonusa.com
Order your Canon Rebel T3i (EOS 600D) from Amazon now.
Canon EOS Rebel T3i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD (Body Only)
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Canon T2i vs T3i (Canon 550D vs 600D): If you are trying to decide between these two cameras, or deciding between the T3i vs 60D vs 7D, please see the post I wrote that reviews and compares the current cameras in the Canon dSLR consumer line-up: Canon T3i vs T2i vs 60D vs 7D, etc.
